Adobe After Effects CS5.5 V10.5

After Effects CS5.5 v10.5 DVD, Win, ITA <b>Animate and composite flexibly in 2D and 3D</b>
Solve visual problems quickly and efficiently using Adobe® After Effects® CS5.5 software by drawing on a comprehensive set of tools designed to help you meet any creative or technical challenge.

<b>2D and 3D element combination</b>
Work in 2D or 3D, or freely combine 2D and 3D elements in the same composition without having to change modes or redo your work. Default cameras and lights mean you don't have to set up additional elements just to add dimension to a layer.

<b>3D camera data import</b>
Import 3D camera and other 3D data from any 3D tracking software that can export Alias Maya ASCII (MA) files. You can also extract camera information from an RLA/RPF sequence and export After Effects camera data via a number of third-party additions.

<b>Multiple 3D cameras per composition</b>
Cut between multiple cameras in the same composition. Define unique cameras by angle of view, lens length, image area size, aperture, depth-of-field blur, and a host of other keyframable parameters.

<b>Light falloff</b>
Control how light intensity falls off across 3D distances, just as it does in the real world.

<b>Streamlined design of 3D compositions</b>
Benefit from numerous features to use 3D space inside After Effects, including the ability to keyframe x, y, and z values separately.

<b>Multiple 3D lights with shadows</b>
Add multiple lights to a scene and animate them. Choose from different light types, set their color, and define their shadow darkness and diffusion individually.

<b>Material options for each 3D layer</b>
Define how each 3D layer in a scene responds to lights, including control over size and intensity of the specular highlight.

<b>Parenting</b>
Work with parent and child layers. A child layer inherits all transformations applied to the parent, including anchor point, while maintaining its own local animation.

<b>Stencil, Silhouette, and Preserve Transparency</b>
Define individual layers to cut out all the layers below. Or have layers above honor the transparency of layers underneath.

<b>Adjustment lights</b>
Set a 3D light to illuminate a subset of layers in a composition.

<b>Projection layers and colored shadows</b>
Project light through a layer to create colored shadows, stained-glass effects, and the look of projected slides.

<b>Nested compositions</b>
Use a complex composition as a single-layer source. Multiple compositions can feed into one, or a single source comp can be used multiple times, allowing upstream changes to ripple throughout a project. Easily navigate through nested comps.