系统要求
| 最低处理器 |
Intel Core Duo |
| 最小硬盘空间 |
20000 MB |
| 最低内存 |
2048 MB |
耳机
| 耳机采样率 |
20 kHz |
| 耳机总谐波失真 |
0.08% |
| 耳机信号-噪声比 |
90 dB |
麦克风
| 麦克风可变增益 |
129 dB |
| 麦克风信噪比 |
94 dB |
| 麦克风输入阻抗 |
17000 Ω |
| 麦克风总谐波失真(THD) |
0.005% |
音频
| 音质 |
24 bit |
| 频率范围 |
20 - 20000 Hz |
2 balanced main (L/R) line outputs, 1 stereo headphone output, MIDI In/Out, 1 USB 2.0, 2 dual-purpose front-panel input channels
The AudioBox 22VSL introduces a new generation of PreSonus USB 2.0 audio/MIDI interfaces that take hardware/software integration to the logical next step.
Using your computer CPU and PreSonus Virtual StudioLive (VSL) software, the AudioBox 22VSL interface provides a 4x2 mixer, reverb and delay effects, and the same Fat Channel compression, limiting, semi-parametric EQ, and high-pass filter, as the PreSonus StudioLive™ 16.0.2 digital mixer— all with inaudible latency.
Now you can monitor and record with or without real-time effects!
To top it off, while the classic PreSonus AudioBox USB is a fine-sounding unit, the new AudioBox VSL series sounds even better, with 24-bit, 96 kHz recording and top-of-the-line PreSonus XMAX™ preamps. We’ll have more to say about the preamps shortly.
<b>What’s so great about effects and processing on monitors?</b>
Tracking without hearing effects and signal processing is like playing a video game with your eyes closed. Musicians rely on aural cues when performing, and their performance can vary depending on what they hear in their monitors.
Adding just the right amount of compression, EQ, and reverb can make a huge difference in their ability to hear themselves clearly and to experience their performance as if it occurred in a natural space rather than in the artificial sonic environment of the studio. The result is a better performance and ultimately a better recording.
