Canon EF 15mm f/2.8 FE Black EF 15mm f/2.8 Fisheye
Fisheye lens with a 180° angle of view for unique and intriguing effects. The wide depth of field makes it even more interestin
B+W 62E GREEN MRC 62E GREEN MRC
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers will bec
B+W 82E LIGHT RED MRC (090M) 82E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 58ES GREEN MRC (061M) 58ES GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers
B+W 82E GREEN MRC (061) 82E GREEN MRC (061)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers wi
B+W 67E REDHANCER (491) 67E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 52E LIGHT RED MRC (090M) 52E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 62E REDHANCER (491) 62E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 55E REDHANCER (491) 55E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 58ES REDHANCER (491) 58ES REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen
B+W 52E REDHANCER (491) 52E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 62E LIGHT RED MRC (090M) 62E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 77E REDHANCER (491) 77E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 49ES REDHANCER (491) 49ES REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen
B+W 67E RED ORANGE (041) 67E RED ORANGE (041)
The intensified effect of this filter borders on the abstract. It darkens a blue sky with clouds to resemble the mood of an impe
B+W 67E GREEN MRC (061M) 67E GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers w
B+W 72E REDHANCER (491) 72E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 72E KAESEMANN CIRCULAR-POL MRC 72E KAESEMANN CIRCULAR-POL MRC
Circular polarizing filters are made for all cameras with beam splitters in the light paths of their TTL exposure mete
B+W 55E GREEN MRC (061M) 55E GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers w
B+W 58ES KB-12M MRC (80B) 58ES KB-12M MRC (80B)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen
B+W 52E SOFTAR 1 (656-1) 52E SOFTAR 1 (656-1)
This soft focus attachment has a large number of mini-lenses of varying sizes distributed on its surface in a random pattern, wh
B+W 52E GREEN MRC (061M) 52E GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers w
B+W 77E GREEN MRC (061M) 77E GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers w
B+W 77E LIGHT RED MRC (090M) 77E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 72E LIGHT RED MRC (090M) 72E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 86ES MEDIUM YELLOW MRC (022M) 86ES MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet drama
B+W 72E GREEN MRC (061) 72E GREEN MRC (061)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers wi
B+W 77E GRADUATED ND 0.3-2X (501) 77E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 58ES CROSS SCREEN 4X (684) 58ES CROSS SCREEN 4X (684)
The rays begin right at the light sources. They are very long and are most effective when they are not vertical and horizo
B+W 60E COLOR GRADUATED RED (590) 60E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
B+W 62E MEDIUM YELLOW MRC (022M) 62E MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramat
B+W 55E CROSS SCREEN 4X (684) 55E CROSS SCREEN 4X (684)
The rays begin right at the light sources. They are very long and are most effective when they are not vertical and horizon
B+W 58ES COLOR GRADUATED RED (590) 58ES COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the ev
B+W 52E COLOR GRADUATED RED (590) 52E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
B+W 62E 80B MRC (KB12) 62E 80B MRC (KB12)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen an
B+W 67E GRADUATED ND 0.6-4X (502) 67E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 55E MEDIUM YELLOW MRC (022M) 55E MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramat
B+W 72E GRADUATED ND 0.3-2X (501) 72E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 77E COLOR GRADUATED RED (590) 77E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
B+W 77E KB-12 MRC (80B) 77E KB-12 MRC (80B)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen a
B+W 60E GRADUATED ND 0.6-4X (502) 60E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 72E COLOR GRADUATED RED (590) 72E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
B+W 72E KB-12M MRC (80B) 72E KB-12M MRC (80B)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen
B+W 60E GRADUATED ND 0.3-2X (501) 60E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 77E GRADUATED ND 0.6-4X (502) 77E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 52E GRADUATED ND 0.6-4X (502) 52E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 67E COLOR GRADUATED RED (590) 67E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
B+W 30.5E LIGHT RED (090) 30.5E LIGHT RED (090)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically an
B+W 67E KB-12M MRC (80B) 67E KB-12M MRC (80B)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen
B+W 67E DARK RED (091) 67E DARK RED (091)
Compared to the lighter 090 red filter, this one even darkens the reds near the yellow tones in the spectrum, as its transparency
