ExpoDisc Digital Pro Portrait 72 ExpoDisc Pro Portrait 72 mm - Digital White Balance Filter
Designed specifically for portrait photographers, the ExpoDisc Portrait Filter enhances an
B+W 62E KAESEMANN CIRCULAR-POL MRC 62E KAESEMANN CIRCULAR-POL MRC
Circular polarizing filters are made for all cameras with beam splitters in the light paths of their TTL exposure mete
B+W 77E INFRARED CUT FILTER (486) 77E INFRARED CUT FILTER (486)
This B+W Interference Filter has a completely colorless glass carrier coated with a number of extremely thin, partially
B+W 72mm Close-up 4 (NL4) 72E CLOSE-UP 4 (NL4)
The +4 diopters of this close-up lens are the right power for closer focusing with a 50 mm lens (up to approximately 1:3) when y
B+W 67mm Soft Pro 67E SOFT-PRO
The effect of this B+W soft focus attachment is created by fine lenticular protrusions that have been applied to a high-grade plano-para
B+W 72E UV IR CUT (486) 72E UV IR CUT (486)
This B+W Interference Filter has a completely colorless glass carrier coated with a number of extremely thin, partially reflectin
B+W 77mm Close-up 3 (NL3) 77E CLOSE-UP 3 (NL3)
With its +3 diopters, the near-focusing distance of this close-up lens begins at 33 cm (13 inches) from the front rim, regardles
B+W 67E LIGHT RED MRC (090M) 67E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 72mm IR (093) 72E INFRARED BLACK (093)
This B+W Infrared Filter blocks the entire visible spectrum, so to our eyes it looks completely opaque. Unlike the infrared
B+W 67E INFRARED CUT FILTER (486) 67E INFRARED CUT FILTER (486)
This B+W Interference Filter has a completely colorless glass carrier coated with a number of extremely thin, partially
B+W 52mm Close-up 3 (NL3) 52E CLOSE-UP 3 (NL3)
With its +3 diopters, the near-focusing distance of this close-up lens begins at 33 cm (13 inches) from the front rim, regardles
B+W 55E LIGHT RED MRC (090M) 55E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 77mm Close-up 4 (NL4) 77E CLOSE-UP 4 (NL4)
The +4 diopters of this close-up lens are the right power for closer focusing with a 50 mm lens (up to approximately 1:3) when y
B+W 77mm Close-up 2 (NL2) 77E CLOSE-UP 2 (NL2)
The +2 diopters of this close-up lens focus at a distance of 0.5 m (1 5/8 feet) with the lens focused at infinity. For the norma
B+W 72mm Close-up 3 (NL3) 72E CLOSE-UP 3 (NL3)
With its +3 diopters, the near-focusing distance of this close-up lens begins at 33 cm (13 inches) from the front rim, regardles
B+W 58ES LIGHT RED MRC (090M) 58ES LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramaticall
B+W 67E KAESEMANN CIRCULAR-POL MRC 67E KAESEMANN CIRCULAR-POL MRC
Circular polarizing filters are made for all cameras with beam splitters in the light paths of their TTL exposure mete
B+W 52E KB-12M MRC (80B) 52E KB-12M MRC (80B)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen
B+W 62mm Close-up 2 (NL2) 62E CLOSE-UP 2 (NL2)
The +2 diopters of this close-up lens focus at a distance of 0.5 m (1 5/8 feet) with the lens focused at infinity. For the norma
B+W 67mm Close-up 3 (NL3) 67E CLOSE-UP 3 (NL3)
With its +3 diopters, the near-focusing distance of this close-up lens begins at 33 cm (13 inches) from the front rim, regardles
B+W 77E MEDIUM YELLOW MRC (022M) 77E MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramat
B+W 82E GRADUATED ND 0.3-2X (501) 82E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 37mm Soft Pro 37E SOFT PRO
The effect of this B+W soft focus attachment is created by fine lenticular protrusions that have been applied to a high-grade plano-para
B+W 62mm Close-up 3 (NL3) 62E CLOSE-UP 3 (NL3)
With its +3 diopters, the near-focusing distance of this close-up lens begins at 33 cm (13 inches) from the front rim, regardles
B+W 82mm Soft Pro 82E SOFT PRO
The effect of this B+W soft focus attachment is created by fine lenticular protrusions that have been applied to a high-grade plano-para
B+W 55mm Close-up 2 (NL2) 55E CLOSE-UP 2 (NL2)
The +2 diopters of this close-up lens focus at a distance of 0.5 m (1 5/8 feet) with the lens focused at infinity. For the norma
B+W 55mm Close-up 3 (NL3) 55E CLOSE-UP 3 (NL3)
With its +3 diopters, the near-focusing distance of this close-up lens begins at 33 cm (13 inches) from the front rim, regardles
B+W 77mm Soft Pro 77E SOFT-PRO
The effect of this B+W soft focus attachment is created by fine lenticular protrusions that have been applied to a high-grade plano-para
B+W 52mm Close-up 2 (NL2) 52E CLOSE-UP 2 (NL2)
The +2 diopters of this close-up lens focus at a distance of 0.5 m (1 5/8 feet) with the lens focused at infinity. For the norma
B+W 58ES MEDIUM YELLOW MRC (022M) 58ES MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet drama
B+W 49mm Soft Pro 49E SOFT PRO
The effect of this B+W soft focus attachment is created by fine lenticular protrusions that have been applied to a high-grade plano-para
B+W 62mm 502 DH 62E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 72mm Close-up 2 (NL2) 72E CLOSE-UP 2 (NL2)
The +2 diopters of this close-up lens focus at a distance of 0.5 m (1 5/8 feet) with the lens focused at infinity. For the norma
B+W 82E GRADUATED ND 0.6-4X (502) 82E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 72mm Soft Pro 72E SOFT-PRO
The effect of this B+W soft focus attachment is created by fine lenticular protrusions that have been applied to a high-grade plano-para
B+W 52E MEDIUM YELLOW MRC (022M) 52E MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramat
B+W 72E MEDIUM YELLOW MRC (022M) 72E MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramat
B+W 62mm Soft Pro 62E SOFT-PRO
The effect of this B+W soft focus attachment is created by fine lenticular protrusions that have been applied to a high-grade plano-para
B+W 52mm IR (093) 52E INFRARED BLACK (093)
This B+W Infrared Filter blocks the entire visible spectrum, so to our eyes it looks completely opaque. Unlike the infrared
B+W 67mm Close-up 2 (NL2) 67E CLOSE-UP 2 (NL2)
The +2 diopters of this close-up lens focus at a distance of 0.5 m (1 5/8 feet) with the lens focused at infinity. For the norma
B+W 55E GRADUATED ND 0.6-4X (502) 55E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 43ES CLEAR UV HAZE MRC (010M) 43ES CLEAR UV HAZE MRC (010M)
This UV Filter blocks the invisible UV component of light from the sky, which can cause blur and to which many color fi
B+W 55E GRADUATED ND 0.3-2X (501) 55E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 55mm Soft Pro 55E SOFT-PRO
The effect of this B+W soft focus attachment is created by fine lenticular protrusions that have been applied to a high-grade plano-para
B+W 67E MEDIUM YELLOW MRC (022M) 67E MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramat
B+W 52mm Soft Pro 52E SOFT PRO
The effect of this B+W soft focus attachment is created by fine lenticular protrusions that have been applied to a high-grade plano-para
B+W 58mm IR (093) 58ES INFRARED BLACK (093)
This B+W Infrared Filter blocks the entire visible spectrum, so to our eyes it looks completely opaque. Unlike the infrared
B+W 67E INFRARED INFRACOLOR (099) 67E INFRARED INFRACOLOR (099)
The orange-colored B+W Infrared Filter 099 is the ideal filter for photography with infrared color film, which is also
B+W 62E INFRARED INFRACOLOR (099) 62E INFRARED INFRACOLOR (099)
The orange-colored B+W Infrared Filter 099 is the ideal filter for photography with infrared color film, which is also
B+W 77E INFRARED INFRACOLOR (099) 77E INFRARED INFRACOLOR (099)
The orange-colored B+W Infrared Filter 099 is the ideal filter for photography with infrared color film, which is also
