B+W 49mm Color Grad Orange (524) 49mm Color Grad Orange (524)
This orange graduated filter gives a sundown effect to skies.\n\n<b>Uncoated Glass</b>\nUncoated glass is us
B+W 58mm Color Grad Violet (543) 58mm Color Grad Violet (543)
This violet graduated filter creates a normal moonlight effect.\n\n<b>Uncoated Glass</b>\nUncoated glass is
B+W 58mm Color Grad Tobacco (550) 58mm Color Grad Tobacco (550)
Those who have experienced a sandstorm in the desert will never forget that mood. With this graduated filter, one can a
B+W 49mm Dark Red MRC (091M) 49mm Dark Red MRC (091M)
Compared to the lighter 090 red filter, this one even darkens the reds near the yellow tones in the spectrum, as its transpa
B+W 95mm LIN POL 95mm LIN POL
Linear polarizers are used with most manual focus SLR and rangefinder cameras to increase color saturation and reduce reflections. The n
B+W 60mm Color Grad Green (561) 60mm Color Grad Green (561)
When used in black and white photography, this filter gives half the image increased red attenuation. A red roof or red f
B+W 49mm Medium Yellow MRC (022M) 49mm Medium Yellow MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet drama
B+W 58mm LIN POL 58mm LIN POL
Linear polarizers are used with most manual focus SLR and rangefinder cameras to increase color saturation and reduce reflections. The n
B+W 58mm color grad blue (581) 58mm color grad blue (581)
This is an excellent solution when the sky isn’t blue enough. It can be used effectively in combination with another gradu
B+W 52mm Cross Screen 8X (688) 52mm Cross Screen 8X (688)
Like two 4-beam star screens superimposed at a rotational angle of 45°, this star screen generates eight star beams. There
B+W 77mm Red Orange MRC (041M) 77mm Red Orange MRC (041M)
The intensified effect of this filter borders on the abstract. It darkens a blue sky with clouds to resemble the mood of a
B+W 72mm Dark Red MRC (091M) 72mm Dark Red MRC (091M)
Compared to the lighter 090 red filter, this one even darkens the reds near the yellow tones in the spectrum, as its transpa
B+W 82mm LIN POL 82mm LIN POL
Linear polarizers are used with most manual focus SLR and rangefinder cameras to increase color saturation and reduce reflections. The n
B+W 28.5MM ND 0.6-4X SC (102) 28.5MM ND 0.6-4X SC (102)
This B+W Neutral Density Filter reduces the light by two f-stops (log density 0.6), and it is the most popular ND filter in
B+W 52mm color grad tobacco (550) 52mm color grad tobacco (550)
Those who have experienced a sandstorm in the desert will never forget that mood. With this graduated filter, one can a
B+W 58mm color grad green (561) 58mm color grad green (561)
When used in black and white photography, this filter gives half the image increased red attenuation. A red roof or red f
B+W 37mm Kaesemann LIN POL 37mm Kaesemann LIN POL
The “high-end” polarizing foils of the Käsemann-type filters are neutral in color, they have a higher efficiency than conventi
B+W 105mm EW Kaesemann LIN POL 105mm 105mm EW Kaesemann LIN POL
The “high-end” polarizing foils of the Käsemann-type filters are neutral in color, they have a higher efficiency than conv
B+W 52mm Color Grad Violet (543) 52mm Color Grad Violet (543)
This violet graduated filter creates a normal moonlight effect.\n\n<b>Uncoated Glass</b>\nUncoated glass is
B+W 62mm Red Orange MRC (041M) 62mm Red Orange MRC (041M)
The intensified effect of this filter borders on the abstract. It darkens a blue sky with clouds to resemble the mood of a
B+W 52mm Color Grad Blue (581) 52mm Color Grad Blue (581)
This is an excellent solution when the sky isn’t blue enough. It can be used effectively in combination with another gradu
B+W 49mm Cross Screen 8X (688) 49mm Cross Screen 8X (688)
Like two 4-beam star screens superimposed at a rotational angle of 45°, this star screen generates eight star beams. There
B+W 67mm dark red MRC (091M) 67mm dark red MRC (091M)
Compared to the lighter 090 red filter, this one even darkens the reds near the yellow tones in the spectrum, as its transpa
B+W 28.5mm dark red SC (091) 28.5mm dark red SC (091)
Compared to the lighter 090 red filter, this one even darkens the reds near the yellow tones in the spectrum, as its transpa
B+W 28.5mm ND 0.3-2X SC (101) 28.5mm ND 0.3-2X SC (101)
The lightest B+W Neutral Density Filter attenuates the light by one f-stop (log density 0.3), which can be beneficial, for
B+W 49mm color grad tobacco (550) 49mm color grad tobacco (550)
Those who have experienced a sandstorm in the desert will never forget that mood. With this graduated filter, one can a
B+W 52mm color grad green (561) 52mm color grad green (561)
When used in black and white photography, this filter gives half the image increased red attenuation. A red roof or red f
B+W 55mm Kaesemann CIRC POL MRC 55mm Kaesemann CIRC POL MRC
Circular polarizing filters are made for all cameras with beam splitters in the light paths of their TTL exposure meter a
B+W 58mm red orange MRC (041M) 58mm red orange MRC (041M)
The intensified effect of this filter borders on the abstract. It darkens a blue sky with clouds to resemble the mood of a
B+W 82mm EW Kaesemann LIN POL 82mm 82mm EW Kaesemann LIN POL
The “high-end” polarizing foils of the Käsemann-type filters are neutral in color, they have a higher efficiency than conve
B+W 77mm LIN POL 77mm LIN POL
Linear polarizers are used with most manual focus SLR and rangefinder cameras to increase color saturation and reduce reflections. The n
B+W 77mm color grad orange (524) 77mm color grad orange (524)
This orange graduated filter gives a sundown effect to skies
B+W 77mm color grad green (561) 77mm color grad green (561)
When used in black and white photography, this filter gives half the image increased red attenuation. A red roof or red f
B+W 55mm Dark Red MRC (091M) 55mm Dark Red MRC (091M)
Compared to the lighter 090 red filter, this one even darkens the reds near the yellow tones in the spectrum, as its transpa
B+W 77mm Color Grad Blue (581) 77mm Color Grad Blue (581)
This is an excellent solution when the sky isn’t blue enough. It can be used effectively in combination with another gradu
B+W 55mm red orange MRC (041M) 55mm red orange MRC (041M)
The intensified effect of this filter borders on the abstract. It darkens a blue sky with clouds to resemble the mood of a
B+W 28.5MM YELLOW ORANGE SC (040) 28.5MM YELLOW ORANGE SC (040)
The effect of this filter is quite powerful. It darkens violet and blue very strongly, green strongly, it even darkens
B+W 28.5mm light red SC (090) 28.5mm light red SC (090)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramaticall
B+W 67mm color grad orange (524) 67mm color grad orange (524)
This orange graduated filter gives a sundown effect to skies
B+W 77mm color grad violet (543) 77mm color grad violet (543)
This violet graduated filter creates a normal moonlight effect
B+W 72mm color grad tobacco (550) 72mm color grad tobacco (550)
Those who have experienced a sandstorm in the desert will never forget that mood. With this graduated filter, one can a
B+W 52mm Kaesemann CIRC POL MRC 52mm Kaesemann CIRC POL MRC
Circular polarizing filters are made for all cameras with beam splitters in the light paths of their TTL exposure meter a
B+W 72mm LIN POL 72mm LIN POL
Linear polarizers are used with most manual focus SLR and rangefinder cameras to increase color saturation and reduce reflections. The n
B+W 77mm Light Yellow MRC (021M) 77mm Light Yellow MRC (021M)
This filter suppresses violet and attenuates blue. On the other hand, green, yellow, orange and red are reproduced in li
B+W 72mm Dark Yellow MRC (023M) 72mm Dark Yellow MRC (023M)
This dark yellow filter gives a greater attenuation into the blue-green range than a light yellow filter. This leads to a
B+W 52mm red orange MRC (041M) 52mm red orange MRC (041M)
The intensified effect of this filter borders on the abstract. It darkens a blue sky with clouds to resemble the mood of a
B+W 52mm dark red MRC (091M) 52mm dark red MRC (091M)
Compared to the lighter 090 red filter, this one even darkens the reds near the yellow tones in the spectrum, as its transpa
B+W 28.5mm medium yellow SC (022) 28.5mm medium yellow SC (022)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet drama
B+W 28.5mm dark yellow SC (023) 28.5mm dark yellow SC (023)
This dark yellow filter gives a greater attenuation into the blue-green range than a light yellow filter. This leads to a
B+W 58mm Light Yellow MRC (021M) 58mm Light Yellow MRC (021M)
This filter suppresses violet and attenuates blue. On the other hand, green, yellow, orange and red are reproduced in li