Tamron SP AF 11-18mm f4.5-5.6 Di II LD Aspherical (IF) (Canon) Black SP AF 11-18mm f4.5-5.6 Di II LD Aspherical (IF) (Canon)
A new high performance zoom lens designed for exlusive use with digital (APS-C) SLR cameras c
Tamron SP AF 11-18mm f4.5-5.6 Di II LD Aspherical (IF) (Nikon) Black SP AF 11-18mm f4.5-5.6 Di II LD Aspherical (IF) (Nikon)
A new high performance zoom lens designed for exlusive use with digital (APS-C) SLR cameras c
Tamron AF 55-200mm f4-5.6 Di ll LD Macro (Nikon) Black AF 55-200mm f4-5.6 Di ll LD Macro (Nikon)
A Telephoto Zoom Designed for exclusive use with Digital SLR Cameras\n\nTamron introduces the AF 55-200mm f
Tamron AF 55-200mm F/4-5.6 Di II LD MACRO SLR Telephoto lens Black AF 55-200mm F/4-5.6 Di II LD MACRO
Digital Di-II generation telephoto lens - The lens was designed exclusively for digital SLR cameras with sensors u
Tamron AF 55-200mm f4-5.6 Di ll LD Macro (Sony/Minolta) Black AF 55-200mm f4-5.6 Di ll LD Macro (Sony/Minolta)
A Telephoto Zoom Designed for exclusive use with Digital SLR Cameras\n\nTamron introduces the AF 55-
Sony 33mm 0.6x Wide Angle Conversion Lens VCLHA07 33mm 0.6x Wide Angle Conversion Lens
The VCL-HA07 conversion lens from Sony helps you bring more information into focus for dramatic wide ang
JVC GL-AW27 camera lense GL-AW27 0.7x Wide Conversion Lens
For use with: GR-D340/66/70/90 (DVC Camcorders) & GZ-MG20/30 (Everio HDD Camcorders)
JVC GL-AT27 camera lense GL-AT27 1.4x Tele Conversion Lens (27mm)
For use with: GR-D340/66/70/90 (DVC Camcorders) & GZ-MG20/30 (Everio HDD Camcorders)
JVC 1.4x Tele Conversion Lens (30.5mm) 1.4x Tele Conversion Lens (30.5mm)
Compatible with: GZ-MG21/26/36/77 (2006) & GZ-MG50/70 (2005) Everio HDD Camcorders
JVC Wide Conversion Lens Black Wide Conversion Lens
Wide Conversion lens 0.7x(37mm) lens compatible with all GR-DVL series (excluding GR-DVL120/145 & GR-DVF1), GR-X5 and GZ-MC500\n
JVC GLV0752 Silver GLV0752UE Wide Conversion Lens
JVC GL-V0637 Black GL-V0637 Wide Conversion Lens
Kenmerken:\n- 0.6x lens\n- Adapter 1 (37mm) x 1\n- Adapter 2 (42mm) x 1\n- Compatibel met GR-DVL9000/92/93/95/96/97/98
JVC GL-A30CPK camera lense GL-A30CPK 30mm Lens Filter Kit
1 x Multi-coating Lens Protection Filter and 1 x Polarising Filter. For the following Everio HDD Camcorder models: GZ-
Canon EF 75-300mm f/4.0-5.6 III USM SLR Telephoto lens Black EF 75-300mm f/4.0-5.6 III USM
This is a Zoom lens EF 75-300MM 1:4-5.6III USM\n\n- Diagonal Angle of View: 32° 11'-8° 15'\n- Lens Construction (elemen
Sony VCL-DH2637 camera lense 2.6x Tele Conversion Lens
- High-grade lens with low distortion for still pictures.\n- Ideal for bringing distant subjects closer.\n- To be used with
Sony VCL-DH0737 camera lense 0.7x Wide-angle Conversion Lens
- High-grade lens with low distortion for still pictures.\n- Ideal for widening field of view.\n- To be used with res
Canon EF 15mm f/2.8 FE Black EF 15mm f/2.8 Fisheye
Fisheye lens with a 180° angle of view for unique and intriguing effects. The wide depth of field makes it even more interestin
B+W 62E GREEN MRC 62E GREEN MRC
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers will bec
B+W 82E LIGHT RED MRC (090M) 82E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 58ES GREEN MRC (061M) 58ES GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers
B+W 82E GREEN MRC (061) 82E GREEN MRC (061)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers wi
B+W 67E REDHANCER (491) 67E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 52E LIGHT RED MRC (090M) 52E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 62E REDHANCER (491) 62E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 55E REDHANCER (491) 55E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 58ES REDHANCER (491) 58ES REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen
B+W 52E REDHANCER (491) 52E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 62E LIGHT RED MRC (090M) 62E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 77E REDHANCER (491) 77E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 49ES REDHANCER (491) 49ES REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen
B+W 67E RED ORANGE (041) 67E RED ORANGE (041)
The intensified effect of this filter borders on the abstract. It darkens a blue sky with clouds to resemble the mood of an impe
B+W 67E GREEN MRC (061M) 67E GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers w
B+W 72E REDHANCER (491) 72E REDHANCER (491)
The B+W Redhancer, made from didymium glass, is a filter with very special transmission characteristics. Designed to strengthen t
B+W 72E KAESEMANN CIRCULAR-POL MRC 72E KAESEMANN CIRCULAR-POL MRC
Circular polarizing filters are made for all cameras with beam splitters in the light paths of their TTL exposure mete
B+W 55E GREEN MRC (061M) 55E GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers w
B+W 58ES KB-12M MRC (80B) 58ES KB-12M MRC (80B)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen
B+W 52E SOFTAR 1 (656-1) 52E SOFTAR 1 (656-1)
This soft focus attachment has a large number of mini-lenses of varying sizes distributed on its surface in a random pattern, wh
B+W 52E GREEN MRC (061M) 52E GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers w
B+W 77E GREEN MRC (061M) 77E GREEN MRC (061M)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers w
B+W 77E LIGHT RED MRC (090M) 77E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 72E LIGHT RED MRC (090M) 72E LIGHT RED MRC (090M)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically
B+W 86ES MEDIUM YELLOW MRC (022M) 86ES MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet drama
B+W 72E GREEN MRC (061) 72E GREEN MRC (061)
This filter differs from the yellow-green filter primarily because of its increased red attenuation. A red roof or red flowers wi
B+W 77E GRADUATED ND 0.3-2X (501) 77E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 58ES CROSS SCREEN 4X (684) 58ES CROSS SCREEN 4X (684)
The rays begin right at the light sources. They are very long and are most effective when they are not vertical and horizo
B+W 60E COLOR GRADUATED RED (590) 60E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
B+W 62E MEDIUM YELLOW MRC (022M) 62E MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramat
B+W 55E CROSS SCREEN 4X (684) 55E CROSS SCREEN 4X (684)
The rays begin right at the light sources. They are very long and are most effective when they are not vertical and horizon
B+W 58ES COLOR GRADUATED RED (590) 58ES COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the ev
B+W 52E COLOR GRADUATED RED (590) 52E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
