B+W 62E 80B MRC (KB12) 62E 80B MRC (KB12)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen an
B+W 67E GRADUATED ND 0.6-4X (502) 67E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 55E MEDIUM YELLOW MRC (022M) 55E MEDIUM YELLOW MRC (022M)
With strong blue suppression, which extends into the blue-green, clouds in the sky look very natural, but not yet dramat
B+W 72E GRADUATED ND 0.3-2X (501) 72E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 77E COLOR GRADUATED RED (590) 77E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
B+W 77E KB-12 MRC (80B) 77E KB-12 MRC (80B)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen a
B+W 60E GRADUATED ND 0.6-4X (502) 60E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 72E COLOR GRADUATED RED (590) 72E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
B+W 72E KB-12M MRC (80B) 72E KB-12M MRC (80B)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen
B+W 60E GRADUATED ND 0.3-2X (501) 60E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 77E GRADUATED ND 0.6-4X (502) 77E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 52E GRADUATED ND 0.6-4X (502) 52E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 67E COLOR GRADUATED RED (590) 67E COLOR GRADUATED RED (590)
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the eve
B+W 30.5E LIGHT RED (090) 30.5E LIGHT RED (090)
This is the classic filter for architectural photography. White façades glow brightly, the blue sky is darkened dramatically an
B+W 67E KB-12M MRC (80B) 67E KB-12M MRC (80B)
The deep blue filter KB 12 blocks so much red, orange and yellow that it increases the color temperature of very bright halogen
B+W 67E DARK RED (091) 67E DARK RED (091)
Compared to the lighter 090 red filter, this one even darkens the reds near the yellow tones in the spectrum, as its transparency
B+W 49ES GRADUATED ND 0.6-4X (502) 49ES GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the i
B+W 72E GRADUATED ND 0.6-4X (502) 72E GRADUATED ND 0.6-4X (502)
Because it attenuates the light twice as much as the 501 Filter, i.e. by two aperture stops (it transmits 25% of the in
B+W 62E COLOR GRADUATED RED 62E COLOR GRADUATED RED
This graduated filter is often referred to as the “sunset filter”, because it can simulate a missing red sky in the evening o
B+W 52E CROSS SCREEN 4X (684) 52E CROSS SCREEN 4X (684)
The rays begin right at the light sources. They are very long and are most effective when they are not vertical and horizon
B+W 52E GRADUATED ND 0.3-2X (501) 52E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 67E GRADUATED ND 0.3-2X (501) 67E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 49ES CROSS SCREEN 4X (684) 49ES CROSS SCREEN 4X (684)
The rays begin right at the light sources. They are very long and are most effective when they are not vertical and horizo
B+W 60E INFRARED INFRACOLOR (099) 60E INFRARED INFRACOLOR (099)
The orange-colored B+W Infrared Filter 099 is the ideal filter for photography with infrared color film, which is also
B+W 49ES GRADUATED ND 0.3-2X (501) 49ES GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 62E GRADUATED ND 0.3-2X (501) 62E GRADUATED ND 0.3-2X (501)
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of
B+W 55E INFRARED INFRACOLOR (099) 55E INFRARED INFRACOLOR (099)
The orange-colored B+W Infrared Filter 099 is the ideal filter for photography with infrared color film, which is also
B+W 52E INFRARED INFRACOLOR (099) 52E INFRARED INFRACOLOR (099)
The orange-colored B+W Infrared Filter 099 is the ideal filter for photography with infrared color film, which is also
B+W 49ES INFRARED INFRACOLOR (099) 49ES INFRARED INFRACOLOR (099)
The orange-colored B+W Infrared Filter 099 is the ideal filter for photography with infrared color film, which is also
B+W 82E F-DAY (499) 82E F-DAY (499)
This B+W filter eliminates the green cast that occurs when daylight-type color film is in fluorescent lighting. Examples are interior
B+W 58ES INFRARED INFRACOLOR (099) 58ES INFRARED INFRACOLOR (099)
The orange-colored B+W Infrared Filter 099 is the ideal filter for photography with infrared color film, which is also
B+W 77E F-DAY (499) 77E F-DAY (499)
This B+W filter eliminates the green cast that occurs when daylight-type color film is in fluorescent lighting. Examples are interior
B+W 49ES CROSS SCREEN 6X (686) 49ES CROSS SCREEN 6X (686)
The star pattern produced by this screen is similar to that of the 4x and 8x, except that it generates 6 beams from light
B+W 67E F-DAY (499) 67E F-DAY (499)
This B+W filter eliminates the green cast that occurs when daylight-type color film is in fluorescent lighting. Examples are interior
B+W 72E CROSS SCREEN 6X (686) 72E CROSS SCREEN 6X (686)
The star pattern produced by this screen is similar to that of the 4x and 8x, except that it generates 6 beams from light s
B+W 62E F-DAY (499) 62E F-DAY (499)
This B+W filter eliminates the green cast that occurs when daylight-type color film is in fluorescent lighting. Examples are interior
B+W 72E F-DAY (499) 72E F-DAY (499)
This B+W filter eliminates the green cast that occurs when daylight-type color film is in fluorescent lighting. Examples are interior
B+W 72E CROSS SCREEN 4X (684) 72E CROSS SCREEN 4X (684)
The rays begin right at the light sources. They are very long and are most effective when they are not vertical and horizon
B+W 67E CROSS SCREEN 6X (686) 67E CROSS SCREEN 6X (686)
The star pattern produced by this screen is similar to that of the 4x and 8x, except that it generates 6 beams from light s
B+W 60E F-DAY (499) 60E F-DAY (499)
This B+W filter eliminates the green cast that occurs when daylight-type color film is in fluorescent lighting. Examples are interior
B+W 62E CROSS SCREEN 6X (686) 62E CROSS SCREEN 6X (686)
The star pattern produced by this screen is similar to that of the 4x and 8x, except that it generates 6 beams from light s
B+W 58ES F-DAY (499) 58ES F-DAY (499)
This B+W filter eliminates the green cast that occurs when daylight-type color film is in fluorescent lighting. Examples are interio
B+W 67E CROSS SCREEN 4X (684) 67E CROSS SCREEN 4X (684)
The rays begin right at the light sources. They are very long and are most effective when they are not vertical and horizon
B+W 52E F-DAY (499) 52E F-DAY (499)
This B+W filter eliminates the green cast that occurs when daylight-type color film is in fluorescent lighting. Examples are interior
B+W 49ES F-DAY (499) 49ES F-DAY (499)
This B+W filter eliminates the green cast that occurs when daylight-type color film is in fluorescent lighting. Examples are interio
B+W 62E CROSS SCREEN 4X (684) 62E CROSS SCREEN 4X (684)
The rays begin right at the light sources. They are very long and are most effective when they are not vertical and horizon
B+W 55E CROSS SCREEN 6X (686) 55E CROSS SCREEN 6X (686)
The star pattern produced by this screen is similar to that of the 4x and 8x, except that it generates 6 beams from light s
B+W 58ES SLIM UV HAZE MRC (010) 58ES SLIM UV HAZE MRC (010)
This UV Filter blocks the invisible UV component of light from the sky, which can cause blur and to which many color film
B+W 82E SLIM UV HAZE MRC (010M) 82E SLIM UV HAZE MRC (010M)
This UV Filter blocks the invisible UV component of light from the sky, which can cause blur and to which many color film
B+W 77E SLIM UV HAZE MRC (010M) 77E SLIM UV HAZE MRC (010M)
This UV Filter blocks the invisible UV component of light from the sky, which can cause blur and to which many color film
