Outputs
| Total Harmonic Distortion (THD) |
0.02% |
Audio
| Frequency range |
20 - 20000 Hz |
1-Channel Solid-State Channel Strip
<b>The New Vintage</b>
It's rare to find a truly outstanding solid-state channel strip that can deliver a vintage vibe reminiscent of classic high-end products, yet employs a thoroughly modern design. To find one that you can buy without heavily depleting your bank account is even more rare.
But there is one channel strip that delivers the goods without the big tab: the PreSonus RC 500.
<b>The Gentleman Magician</b>
Once upon a time, in the historic city of Baton Rouge, Louisiana, a white-haired gentleman quietly pored over a chassis filled with circuits. He was clearly designing an analog preamp and processor, which wasn't unusual for him.
But this wasn't just any fellow puttering around, and his project wasn't just another preamp and processor. This was Robert Creel, the engineering mastermind behind many of PreSonus’ best analog circuits, including the ever-popular XMAX™ preamp, and his project was the ADL 700 tube channel strip, which turned out to be a terrific "boutique"-style, high-end channel strip.
At least, the PreSonus team thought his project was the ADL 700. As it turns out, he was doing something more.
In the process of developing the ADL 700, which uses the same high-voltage tube preamp found in the award-winning ADL 600 (codeveloped by PreSonus and Anthony DeMaria), Creel came up with a new design for a very special solid-state preamp that uses a Class A hybrid input stage with discrete transistors and the latest-generation, low-distortion operational amplifiers. Everyone at PreSonus who heard his prototype was so blown away by its transparent, detailed, clear sound that the new preamp immediately became an in-house legend. By popular demand, Creel’s superb preamp became the heart of the new RC 500, named "RC" in Robert Creel's honor.
The RC 500 combines the custom-designed FET compressor and semi-parametric EQ circuits that Creel developed for PreSonus’ highly lauded ADL 700 tube channel strip with his new ultra-low-distortion, high-gain, solid-state Class A preamplifier design, which delivers consistent, repeatable, transparent, detailed audio. A balanced analog insert sends the source signal out of your RC 500 before the compressor, EQ, and Master Gain stages and returns the signal directly to the compressor stage, allowing you to add external processors.
The result is a top-of-the-line — yet very affordable — channel strip for recording engineers and recording musicians, with a sound that is reminiscent of classic, vintage solid-state preamps.
